By Veronica House
Women’s mythic revision is a convention on the center of twentieth-century literature. Medea’s Chorus explores post-WWII women’s poetry that takes Greek mythology as its crucial topos. The publication investigates 5 of the main influential poets writing within the 20th century (H.D., Sylvia Plath, Adrienne wealthy, Margaret Atwood, Eavan Boland) who problem either the traditional literary representations of ladies and the excessive modernist appropriations of the classics. of their poetry and prose, the ladies interact with cultural discourses approximately literary authority, gender, oppression, violence, and age. but even whereas the poets remodel convinced points of the Greek myths that they locate troubling, they see the inherent energy within the tales and use that energy for private and social revelation. simply because myths exist in a number of types, old writers didn't create from scratch; their inventive contribution lay in how they replaced the tales. sleek lady poets are carrying out a numerous millennia-old culture of mythic revision, a practice that has ruthlessly posited that there's no position for ladies within the construction and transmission of mythological poetry. Medea’s Chorus tracks mythic revision from the Fifties during the second-wave feminist stream and into turn-of-the-century feminism to spotlight person achievements and to teach the collective impression of the poets’ hugely assorted works on post-WWII literature and feminist concept and perform. This attractive and wonderfully written booklet is a must-read for any pupil, instructor, or pupil of the Classical culture, revisionist mythmaking, and twentieth-century poetry.
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Additional info for Medea's Chorus: Myth and Women's Poetry Since 1950 (Studies in Modern Poetry)
A non-exhaustive record of texts comprises Joseph T. Freeman’s getting older, Its heritage and Literature (1979); S. F. Spicker, okay. M. Woodward, and D. D. Van Tassel’s getting older and the aged: Humanistic views in Gerontology (1978); Laurel Porter’s getting older in Literature (1984); Prisca von Dorotka Bagnell’s Perceptions of getting older in Literature (1989); Barbara Frey Waxman’s From the fireside to the Open street: A Feminist research of getting older in modern Literature (1990); Christina Jansohn’s outdated Age and growing older in British and American tradition and Literature (2004); five. A research by means of Calasanti and Slevin exhibits that a lot of feminist scholarship makes a speciality of problems for young women, equivalent to “discrimination within the paid hard work strength; the demanding situations of childbearing and baby rearing; and matters linked to dual-earner households. . . ” (cited in Allen and Walker 158–159). See Roberta Maierhofer p. 164 and Ingrid Arnet Connidis p. one hundred twenty five 6. See item classes for an account of the impacts on her, together with Alicia Ostriker’s Stealing the Language (148). 7. Compare with Keats’ ‘Cold pastoral! while outdated age shall this iteration waste, / thou shalt stay [. . . ]. ’ (ll. 45–47) from ‘Ode on a Grecian Urn. ’ See J. Keats, ‘Ode on a Grecian Urn’, in Duncan Wu (ed. ), Romanticism: An Anthology, 2d ed. (Oxford: Blackwell Publishers, 1998), pp. 1060–1061. eight. ‘A Formal Feeling’ alludes to Emily Dickinson’s poem #341. Dickinson labored in conventional meter and form—hymn and ballad stanzas—but substantially challenged the normal reasons of these kinds to subvert patriarchal and biblical orthodoxy. nine. One may possibly argue that, with Keats’ ‘Urn’ for example, males also are fastened in timeless photographs: ‘bold lover, by no means, by no means canst thou kiss, / although successful close to the goal—yet don't grieve; / She can't fade, notwithstanding thou hadst now not thy bliss, / For ever wilt thou love, and she or he be reasonable! ’ (ll. 17–20). Boland dismisses the argument that the matter is one among all paintings, and never one in every of gender: “The younger guy in ornamental chase at the facet of the urn has the sexual viewpoint which seeks to own; the maiden has the erotic activity of being easily mute and lovely” (OL 216). whereas artwork preserves the fellow, his wish displays a masculine point of view that may be linked to the artist, while the maiden is solely objectified. Boland doesn't talk about pictures of guys that do depict getting older or flux. There are a few recognized examples of Irish male poets’ depictions of themselves as elderly. Boland knew good Yeats’ “The Tower,” for instance, during which he asks, “What shall I do with this absurdity / …This cartoon, / Decrepit age that has been tied to me / As to a dog’s tail,” and his “Sailing to Byzantium,” within which he broadcasts that “An elderly guy is yet a paltry factor, / A tattered coat upon a stick. ” there have been additionally makes an attempt through Irish male writers to depict older girl characters. Yeats’s ‘Crazy Jane’ poems and Synge’s Nora Burke, in his play within the Shadow of the Glen, are examples of strength exceptions that Boland doesn't tackle.